Like the flickering images of Chris Marker’s Grin Without a Cat or the tombstones of John Gianvito’s profit motive and the whispering wind, Rector isolates the outliers, those critical voices in the wilderness, and assembles them into a unified trajectory of what might have been—and could be still. Not every critic is the same. Bydoing this you can see what has been given a ‘fresh’ rating of over 50% and a ‘rotten’ one of under 50%. Not only is the Siren the best film geek friend you ever had, but she’s an increasingly powerful force.—Brynn White, Strictly Film SchoolNo one embodies cinephilia in the Internet age better than the pseudonymous Acquarello (aka Pascual Espiritu), a self-described “NASA flight systems design engineer” who single-handedly creates all the content for Strictly Film School. So there you have it, the top 10 film review websites. And the writing is anything but ephemeral: Bordwell’s post on “new media and old storytelling’’ was selected for the paperback edition of the Library of America’s American Movie Critics, edited by Phillip Lopate. Particularly revealing are side-by-side comparisons of a single title’s competing regional releases, in which the often staggering differences in transfer quality have to be seen to be believed. If only real film schools were as informative and passionate as Strictly Film School.—Cullen Gallagher, Diagonal ThoughtsIn the distant future—when we are nothing more than incorporeal abstractions coded into the algorithmic consciousness of a virtual singularity, or blue-skinned, loin-clothed cybersexing flora and fauna with our FireWire pony tails, or whatever!—I sincerely hope that our post-organic nervous systems will occasionally light up to the archived index of Diagonal Thoughts. He is the author of three books: Engaging Film Criticism: Film History and Contemporary American Cinema (2004), Bewitched (2007), and Gilligan’s Island (2012). Founder and academic Daniel Frampton has since collected his long-gestating reflections in an ambitious 2006 book Filmosophy (a work whose cumbersome title has perhaps unsurprisingly failed to catch on), turning over stewardship of the site to current managing editor David Sorfa. 4 Week Filmmaking and Acting Certificates, Designated Charity: Independent Film Trust. Movies are our passion and we want to discuss the best and worst in the film industry. So it’s no surprise to find that websites catering to avid DVD collectors constitute some of the most spirited precincts of online film culture. For connoisseurs of criticism, D’Angelo’s voice is immediately recognizable for its unique cadence: a blistering mix of erudition and wit that’s at once stimulating and pleasurable, thorny and inviting. Kenny has always been ambivalent about the position online criticism holds in the cultural discourse. Artforum’s pristinely designed outpost places the cinema beat alongside a news digest and links to both its “critics’ picks” section and the Scene & Herd diary, which offers a plethora of photos from exhibition openings and parties. London, England, United Kingdom About Blog Founded in 2012, this is an entertainment website dedicated to film reviews, movie trailers, film festivals, and indie film making. Futhermore, it is very easy to handle with and to get used to it. Even better, the impressively prolific Srikanth Srinivasan matches quantity with quality. Hartmut Bitomsky, Marcel Hanoun, Jean-Claude Rousseau), Ali recuperates films that make politics and pedagogy integral to their aesthetics. The site, which began in 1996 as an e-newsletter co-founded by current editor-in-chief Eugene Hernandez, has grown exponentially. Before all the think pieces and panel discussions—before Web-based criticism was even a thing, really—there was D’Angelo, who, while writing capsules for Entertainment Weekly, was also running a film-nerd discussion group and maintaining his own personal website, The Man Who Viewed Too Much. Topics range from the character of Michael Mann’s close-ups to speculation on the almost-projects of great directors, but Wright (a graduate student at Carleton University in Ottawa) perhaps shines brightest when discussing his dissertation topic: sound in modern movies. For kids wondering why they weren’t growing up drowned in orgies like their older brothers in the 1970s, [it] was the perfect demonization tool.”) But following the snaking paths of his musings proves quite rewarding, not least for the way he intertwines the analytical with the personal. Though Variety no longer reigns supreme as the inside players’ bible of Hollywood dealing, the trade-magazine ethos thrives in more corners than ever, for readerships more general than a studio town ever defined.—Paul Fileri, Video WatchblogSelf-proclaimed “Perfectionist of Fantastic Video” Tim Lucas is the creator of Video Watchblog, an outgrowth of his cult magazine Video Watchdog (1990-present; 157 issues to date), which itself originated in a series of columns Lucas published across multiple magazines throughout the Eighties. Not only did the archive include all of the sharp, highly opinionated capsule reviews that Jonathan Rosenbaum and Dave Kehr had written for the alternative weekly, but it also provided access to one of the most vital bodies of work in film criticism: Rosenbaum’s brilliantly sustained run of essays on contemporary cinema. AICN’s “agents” track down pre-production gossip, aggressively solicit first-look access to promotional materials, sneak in (though by now they’re usually invited) to test screenings—all the while engaging in feverish “What-if…?” speculations. As the next-generation heir to Tim Lucas of Video Watchdog (see separate entry), Tooze has maintained pressure on home-video distributors to keep raising the bar of image and audio quality. There’s no preferred “genre” here other than authenticity; posts might combine images and texts from Costa-Gavras with Kenji Mizoguchi or from Jean-Marie Straub with Charles Burnett. http://funflicks.com/. The recently deceased critic wrote in-depth reviews on nearly every film released and has an extensive back catalogue. The history of movies is also a movie; Supposed Aura is not just of the cinema but is cinema.—Dave McDougall, World PictureAimed at the happy few and imbued with sensibilities neither wholly amateur nor professional, World Picture was launched in 2008 by Brian Price, John David Rhodes, and Meghan Sutherland, media scholars and longtime friends split between university towns in Oklahoma and East Sussex, England. Most film critic societies do not allow internet-only members – and are oftentimes frequented largely by print, television, or radio critics. Therefore, we’re proud to accept applications for all internet-based film critics (as well as those with multiple outlet mediums), and we base acceptance solely on a critic’s quality of work, not on their membership in other existing societies. Ludic’s robust, readable, and topical-to-the-week epistles are distinguished by Sconce’s spry intellectual vigor and playfully acerbic (or acerbically playful) curiosity, not to mention his laser-guided insights and pitch-perfect wit. Championship of indie underdogs, weekly video essays on DVD releases, and notifications of must-see TCM broadcasts keep readers abreast of what’s worth seeing now, as filtered through the perspective of a modernist with an infectiously ecstatic faith in the potential of the medium. As an attempt to excavate the 20th-century political projects that have structured the history of cinema, Kino Slang is often oblique but no less essential for that. Learn how your comment data is processed. By his own account, he owes everything to Pauline Kael, whom he met in New York while taking summer courses at Columbia. Film criticism is intended to give more scholarly and lengthy treatment of a film often with regard to other issues such as historical context, theory, or technical analysis. Fast and free shipping free returns cash on delivery available on eligible purchase. While online platforms offer practically limitless writing space, Acquarello’s economical and precise prose is something to treasure. Thanks for your kind words! Their witty reviews really are well worth a look as are their numerous articles and past releases. “One theme that runs through many of the recently published articles is the question of what it might mean for films to ‘do’ philosophy themselves (rather than merely act as examples of prior philosophical theses).” That’s a major challenge, and it’s been most recently met by an issue devoted to Claire Denis and her sometime collaborator Jean-Luc Nancy; articles on the Dardenne Brothers’ cinema in relation to thinker Emmanuel Levinas; and a compelling reconsideration by Gal Kirn of the collectively made 1932 German film Kuhle Wampe.—Paul Fileri, Film JourneyFilm Journey’s extemporized thoughts on long-percolating interests read like the best conversations you ever overheard at the cinematheque. In a defense of Lindsay Lohan, for instance, Kuersten (who has written about his struggles with alcohol) both calls out the public’s gender bias and then offers the oft-soused starlet some AA-inspired solidarity. Fujiwara, who grew up in Brooklyn and has lived in Tokyo for the past three years, says he seeks to steer the journal toward examination of the critical scenes in countries outside North America and Europe, and spur more thinking on “the theory and practice of criticism, the ways it gets written and read, in practical terms, and what critics’ goals and ideals are.”—Paul Fileri, DVD BeaverWith its wealth of screen grabs direct from their DVD or Blu-Ray sources, Gary Tooze’s DVD Beaver is the go-to site for home-cinema perfectionists. You can’t ask for much more from a critic.—Matt Noller, UndercurrentSpartan and straightforward, the online magazine Undercurrent gets by without the hard sell—and that’s no small matter. Its first entries were extended exegeses and analyses of The New World’s formal, narrative, and thematic qualities. In other words, this site separates the wheat from the chaff in order for you to select your Friday night viewing! The Guardian film section is great in print form and even better online! Sifting through the several thousand articles on the site, a reader can’t help but feel nostalgic for the days when Rosenbaum was producing his lucid, erudite prose on a regular basis. But this is a place where “American movies” tend to mean Bush Mama and Los Angeles Plays Itself rather than Avatar and its ilk. 4. What makes their site an essential stop is that both are fine aesthetic observers as well as scholars, and they write the equivalent of full-fledged publishable essays, usually with plentiful and carefully placed frame enlargements. Sconce’s blog, billed as “An Index of Co-Morbid Symptoms,” skims lurid treasures off the cesspool of mass media with a timeliness that a critical anthology or symposium could never provide. Japanese Film Database. Sometimes the images impressionistically sketch out a scene’s mini-arc in a series of telling shots, an act enhanced by the blog’s vertical placement of frames within two centered black lines, transforming your screen into a makeshift strip of celluloid and your scroll bar an impromptu projector. This really is the cream of the crop and is the Mecca of all things film. The holdings of this online collection cut a wide swath, including what is apparently still the only published English translation of Rivette’s key 1961 essay “On Abjection,” concerning the morality of film style; two essential extended interviews with Rivette from 1963 and 1981 (the latter previously untranslated); and even a listing (compiled by a dogged Joseph Coppola) of all of Rivette’s star ratings given to films in Cahiers du cinéma from 1955 to 1966.—Paul Fileri, CinebeatsCinebeats chronicles “one woman’s love affair with ’60s and ’70s-era cinema.” As this informal mission statement suggests, those looking for hard historical data or deep academic readings should keep moving. Order of the Exile, a website named after a line from Rivette’s 1961 film Paris Belongs to Us, has been trying to rectify this matter. The days of greybeard, white men writing reviews and chastising a film for not living up to a French film released 40 years prior are over. in the July-August 2010 Issue, The Self-Styled SirenClassical Hollywood fetishism has found a most enchanting ambassador. Not that he’s totally happy about that. More importantly: if you trust the public, if movie critics are an age old idea gone bad, why are you wasting your time on a website devoted to film criticism? His reflections on the site tend to circle back to the changing experience of filmgoing today. More recent highlights include a thoughtful appreciation of critic Gilbert Seldes and an analysis of the forgotten possibilities of “the cross” in film blocking.—Paul Fileri, Unexplained Cinema If the blogosphere is a realm that’s predisposed to linguistic profusion, Unexplained Cinema stands out for its beguiling reticence. The most engaging and sincere species of highbrow intellectual, Brody makes thoughtful, mainstream applications of his interests in cinema symbology and poetics.

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